Among the great contemporary composers, Xenakis was the most influenced my mathematics. Some said his computers were the real authors of the musical pieces. That’s wrong: Xenakis art is in his choice of themes, in how computers are programed.
If there’s a good meaning of the word attachment, it is in You belong to me. The singer says to the loved one that there’s no need to look attractive to others: I’ve got lovin’ eyes of my own.
Se houver um bom sentido para a palavra apego, ele está em You belong to me. Quem canta diz para a outra parte do casal que não precisa se mostrar atraente para outras pessoas: olhos amorosos só veem beleza.
Aldir Blanc e João Bosco foram grande dupla da MPB, que os tempos atuais parecem fazer esquecer. Radiografavam o universo da pequena classe média carioca. Grandes versos como “a ponta de um torturante/ bandaid no calcanhar” eram sua marca.
Muitos dizem que Fixing a hole faz apologia do baseado: mas ninguém pode negar que é muito forte nela a sensação da tranquilidade de simplesmente estar na própria casa. McCartney canta: se estou errado, estou certo onde eu moro.
The performer is a composer’s partner, for he or she choses how to transform musical ideas into sounds. Pablo Casals was more than that for the Cello Suites, as he saved them from the limbo they were till 1936.
In the early years of the 20th century, two students cut the classes to to watch Allegro non troppo: one of us bloggers and a college colleague, very savvy, that knew it was a good movie. It was suprising and unforgettable: the movie was excellent, very creative. It was an afternoon session: mothers couldn’t take their eyes of the screen, while their children run between the cinema chairs…
Music pieces by Sibelius, Debussy and Stravinsky (among others) were so well associated to animations, that one could not believe the latter were created to be played along the former.
The famous Schubert’s Ave Maria wasn’t created by Franz Schubert. The original song is also a prayer to the Virgin Mary, but this version is an adaptation of the words of the Hail Mary prayer to the Schubert’s melody.